Traditional furniture is a symbol of the revival of Chinese culture, and the trend is a cyclical process. After the fun, it will tend to be simple, and the tube will be too clean and replenished. After paying for the form, it will return to simplicity. This is not only the return of form and mentality. For the return of the furniture industry, among them, mahogany furniture does not indulge people's desire to excessively enjoy and correct bad sitting habits. There has never been a kind of furniture that can be as practical as mahogany furniture and the aesthetic taste of the Chinese, and the spiritual pursuit is so perfect. Fashion has come and gone, gone again, no matter what is popular at the moment, we are all looking for their shadow in the calendar. The same is true of fashion trends in the furniture industry. Ming furniture is a classic in the world of classical furniture. Mahogany furniture is the pinnacle of the work. In recent years, mahogany furniture has become a hot spot for household consumption, from collections to part of daily life: Ming Dynasty literati often participate in the design of furniture. The world of mahogany furniture is inseparable from the contribution of literati to the art of creation. The creations of the literati are the same as the poetry and the book, showing the pursuit of exquisite life, refined and solemn temperament, and introspective self-discipline. Chinese furniture is counter-attacking, Chinese traditional culture is warming up, and new Chinese and mahogany furniture are getting more and more attention. The new Chinese-style mahogany furniture is a new interpretation of Chinese traditional culture in classical furniture. She is not a simple retro, nor a pile of Chinese elements. She adapts to the modern way of life and finds herself and herself in the traditional culture and modern aesthetics. position. In the 29th International Famous Furniture Exhibition, the well-known Chinese mahogany furniture brands such as Youlian, Guoshou and Huaying are not absent, and there are also new Zhejiang New Year, Mingtang, Elm King, Shanghai Yizunxuan and so on. The brand constitutes the largest Chinese furniture brand cluster in the current domestic professional furniture exhibition. Inheritance and innovation are the only way for all cultural developments to become more important in the revival of Chinese furniture culture. While we nodded to the masterpieces of the engraving masters, we were sighing and losing. In this era of more and more materialization, the furniture industry is increasingly profit-centered, we invented machines instead of artificial engraving. The uniform lines and patterns, it’s not always the case. We need such a return, not just culture, design, but also a state of mind. Our city is too embarrassing, our space is too crowded, and we are always rushing to drive our lives. We have never missed the past as we are now. The whole society has been swayed by a kind of emotion called "nostalgia". It is cherished for nostalgia and thinks because of retrospect. Although fashion is in reincarnation, life continues. What we need to return is "life". But it is also true for furniture. Return is important for furniture. Recommended Navigation: Brand Pavilion  Industry concern  brand information  Brand sale
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